My boyfriend and I have been thinking about our plans when we've finished our course for quite a long time. We both knew for a fact we wanted to go travelling but had no idea where or what to do and how long. Over the summer holiday we have both been doing a lot of research and came up with the idea of travelling to Australia. Our plan is to go to Australia for one year on a working holiday visa. This way we could travel the country and have jobs to make sure we don't run out of money.
Today we applied for our working holiday visa. We had to answer lots of questions and because we both have different nationalities, yet living in England, we did have a couple problems. We will be leaving for Australia at the end of August 2013 and we'll be there for at least a year. If we end up really liking it we'll apply for a second working holiday visa and hopefully one of us could get sponsored and will live there for a long period of time.
The flight to Australia is 22 hours, and since the longest time I've ever spent on an aeroplane is about 8 hours, we decided we didn't want to do the whole journey in one go. Therefore we are spending three nights in Dubai and three nights in Singapore along the way. This way we get to see a little bit of everything!
Hi everyone!
As part of my photography course, I have to track my development on a blog. The posts from September 2011 until January 2012 are part of a module called Project Management, for which I was required to work in a group of eight students to create an exhibition. The blog followed every step we took in order to create a successful gallery. The blog posts starting from September 2012 follow my final year on the course. I'll be documenting my research and analysis of my final year projects, as well as include notes of my Professional Practice unit - which prepares us for a range of post graduate options. Finally it also looks at a project called New Creatives, where I'll be working alongside an artists to help college students get more involved with art.
Saturday, November 3, 2012
Canvas vs Lite Canvas
I printed a canvas with a woodland photo on it, and another
one as a Christmas present. The woodland photo is printed on canvas and the
other one of canvas lite. I wanted to compare the two canvases and see which
one I prefer and whether I want to use it for my final year presentation.
I much prefer the look of
the normal canvas (the thicker one). I think it’s because I prefer the photo. It
wraps around the frame beautifully. I decided to print this woodland photo because
the trees are dead straight. This works perfectly with how the photo wraps around
the sides. On either side of the canvas is a tree that fits entirely along the side.
The thickness is just right. If I printed the woodland photo on the lite canvas
the tree would have been half on the side and half on the front. The second photo
looks nice as well, but as a Christmas present, it’s probably better to save a bit
of money and print it on lite. For photography finals I would definitely print it
on normal thick canvas.
Tuesday, October 30, 2012
Matt vs glossy
Elaine de
Vries: yes they
are both very dark
EN - Mohamed Ali Hassan: ok I will pass this on to the tech team
to adjust and then we will arrange a redo for you at no extra cost can you
please give a few days and I will get back to you via e-mail
EN - Mohamed Ali Hassan: can you just confirm the file is set for
an sRGB colour code
Elaine de Vries: I just checked, they are both set for
an sRGB colour code
Elaine de Vries: Thank you for getting them reprinted at
no extra cost
EN - Mohamed Ali Hassan: at Photobox we aim to provide both
excellent products as well as service and have failed to do so on this
occasion.
They were incredibly kind
and offered to reprint them at no extra cost. Hopefully when I receive the newly
printed images they turn out a lot better. As for the quality of the images, they
look fantastic printed! It’s nice to see them like that rather than on a laptop
screen. The large format print is definitely better as the sky is similar in every
photo, whereas the digital file has a cloudy sky in one of them. I like the matt
finish, you can really come right up to the image and see all the detail, whereas
with glossy it reflects a lot of the light and it’s a bit distracting. However,
I think the glossy print looks more expensive.
Sunday, October 28, 2012
Proposal For Next Semester
Along with the practical project, workbook, blog and the dissertation, we also need to write a practical proposal for our project in the second semester. Although it doesn't seem like we have that much to do, it's a ridiculous amount of work. Both my practical project workbook and my research workbook have over 180 pages in Microsoft word!
I want to combine photography with a time lapse video. Before my first semester project I never thought about making a time lapse, but now I can’t stop thinking about it. I want to shoot in the same location as my set brief project. However, instead of only looking at landscapes, I want to go into more detail about the plant life. I want to make use of macro photography in order to create an abstract photograph of the plants. Alongside these abstract photographs, I want to have a time lapse looking at the landscape. This will convey the context of the photos. The time lapse I created for the first semester project was straight to the point, with landscape shots similar to my final piece. For this project I’d like to look at some more interesting angles, as well as use a camera slider to introduce movement.
For my set brief I started off using digital and later went into large format. I plan to do the same thing for this project. I bought myself a new Canon 7D camera over the summer and I have a 90m macro lens that goes does to f/2.8, and I have a 50mm lens that has an aperture of 1.8. Both of these would be great to use. At the same time, the large format camera will capture an incredible amount of detail which will be key if I want to print off my images large. For the time lapse, I used a gopro at first. The images came out with a massive wide angle effect and I had to edit every picture to get rid of that effect. Therefore, I will be using either my Canon 7D or my Canon 1000D. I already have an intervalometer for my Canon 1000D, and if I end up using that camera it means I can work on both the time lapse as well as the macro photography in one day. I will want to play around with both cameras in order to decide what gives me the best result. Finally, I will want to purchase a DSLR camera slider. I have found a couple on eBay and Amazon for £100.
Anyway, I have already started to work on my proposal for next semester because I don't want to have a last minute panic during my deadlines. It isn't finished yet but I've already got a concept:
I want to combine photography with a time lapse video. Before my first semester project I never thought about making a time lapse, but now I can’t stop thinking about it. I want to shoot in the same location as my set brief project. However, instead of only looking at landscapes, I want to go into more detail about the plant life. I want to make use of macro photography in order to create an abstract photograph of the plants. Alongside these abstract photographs, I want to have a time lapse looking at the landscape. This will convey the context of the photos. The time lapse I created for the first semester project was straight to the point, with landscape shots similar to my final piece. For this project I’d like to look at some more interesting angles, as well as use a camera slider to introduce movement.
For my set brief I started off using digital and later went into large format. I plan to do the same thing for this project. I bought myself a new Canon 7D camera over the summer and I have a 90m macro lens that goes does to f/2.8, and I have a 50mm lens that has an aperture of 1.8. Both of these would be great to use. At the same time, the large format camera will capture an incredible amount of detail which will be key if I want to print off my images large. For the time lapse, I used a gopro at first. The images came out with a massive wide angle effect and I had to edit every picture to get rid of that effect. Therefore, I will be using either my Canon 7D or my Canon 1000D. I already have an intervalometer for my Canon 1000D, and if I end up using that camera it means I can work on both the time lapse as well as the macro photography in one day. I will want to play around with both cameras in order to decide what gives me the best result. Finally, I will want to purchase a DSLR camera slider. I have found a couple on eBay and Amazon for £100.
Saturday, October 27, 2012
Order Prints
This is the order confirmation. I ordered one canvas and
used a digital woodland photograph. I also used two credits on 15x10 prints. I
used the circular panorama images (digital and large format) so they are in the
middle of the page. One of them is printed on glossy paper and the other on
matt to test out the quality of each.
I found a website called White Wall. It prints
aluminium and acrylic prints for a very low price if you print a small size. I
wanted to print my two circular panorama images off, one on acrylic (large
format) and one of aluminium (digital). I’m very excited to see the results of
all of the prints.
Editing
I watched a video on youtube
on how to make photo look better and got some useful tips from that. I brightened
up the woodland in the back and made the heath a nicer colour of purple.
I did
similar things to this image. I felt it was still too green, so reduced that. I
made the heath within this area a nicer shade of purple and finally I edited the
sky so that it doesn’t have such a strange colour.
The
woodland looked a bit odd to me as well. The trees were too green, but when trying
to edit it how I usually do it reduced the green colour of the grass. In the second
photo you can see that I made the tree trunk brown but kept the leaves and grass
a good colour of green.
Friday, October 26, 2012
CV writing
After Paul Barnes came in to speak to us about CV's, I decided I should update my CV and make it more interesting. I handed out CV's about two months ago so it's still reasonably up to date, however since then I managed to get a job and I was selected for new creatives. The first image to the right is a comparison between my old CV (left) and my new CV (right). My old one looks really boring, whereas my new one is a lot more interesting looking.
My boyfriends' brother sent a copy of his CV and that's where I got the layout from.
The second image shows how long my CV is. It's a page and a half so it isn't too long, and all the information is relevant. It starts off with a little introductory paragraph about me and then goes into my education and qualifications. That's followed by a section on experience and employment. After that I've added some personal achievements (eg. most improved softball player award, academic excellence in french award). And finally it finishes off with my skills. For that section I specifically look at my creative skills (eg. I can use digital, 35mm, medium format and large format, I can use the studio etc), communication and teamwork, organisation and self discipline, and what languages I speak. I'm really happy with my new and improved CV.
New Creatives
Here is some general information about new creatives:
New Creatives is an annual project led by the University of Portsmouth’s
Faculty of Creative and Cultural Industries (CCI) that showcases the creative work
of young people from further education and sixth-form colleges in the
Portsmouth region. The project is
launched at the beginning of each academic year culminating in a joint exhibition
at the leading contemporary art gallery, Aspex in Gunwharf Quays.
In this project, FE and HE students will experience the external
influence of working with a professional artist, gallery, university, fellow
students and to showcase their work in a wider cultural context by exhibiting
outside of the FE environment. The
project has a proven track record of building confidence and broadening young
people’s experience. The objective of
this exhibition is to inspire FE students, supporting their studies at college,
giving them an added experience to develop their creative practice further and
to encourage them to be more ambitious. The
experience of working with an artist and gaining professional practice experience
is as important as the opportunity to showcase their work.
The exhibition can feature creative work in a variety of disciplines,
for example, visual arts, installation, design such as fashion, graphics, 3d
modelling or sculpture, digital media such as film, animation and photography, performance
such as music, poetry, drama and live art. There is no admission charge for taking part, for
entry to the exhibition or to attend the preview event.
The New Creatives project has proven its value since its birth in the academic
year 2009/10 and is now entering its fourth year bringing a wealth of
experience that delivers creative engagement year on year in a responsible and
safe manner, ensuring the well being of participants. It has generated relationships,
collaborations and a range of materials and interventions that are shown or
performed as part of a work in progress, producing a legacy of creative
partnership in the city of Portsmouth enhancing the region’s cultural
position. New Creatives encourages an
exchange of ideas and 'visual correspondence' between the university, Aspex and
the colleges which has resulted in providing a platform for a variety of
projects, including the Cultural Olympiad and Creative Campus Initiative.
Role of the University of Portsmouth student ‘buddy’
University of Portsmouth students from the Faculty of Creative and
Cultural Industries will be selected to work as a ‘buddy’ alongside each of the
commissioned artists in order to develop their professional practice skills,
enriching their CVs. The work of the selected ‘buddies’ begins at the Autumn
2012 launch of the project, continuing at the artist workshop visits to your
college, carrying on through to the exhibition Preview event in the Spring 2013
at Aspex. The selected HE students will shadow
and assist the artist, making a record of the experience, in their chosen form,
for example, photography and/or blog.
28 September 2012
|
Commissioned artists appointed by UoP/Aspex
|
8 October 2012
|
University of Portsmouth student ‘buddies’ selected by UoP
|
22 October 2012
4pm
|
New Creatives Launch at Aspex Gallery – for college tutors, artists,
buddies, University of Portsmouth & Aspex staff
|
October–March 2013
|
Artists makes visits to colleges/Aspex, accompanied by UoP ‘buddy’ -(Visits
1, 2 &4) (Artists to arrange mutually convenient times with colleges and
buddies)
|
December 2012
|
Aspex host a visit for participating students, artists, technicians
and tutors (Visit 3) (Date to be coordinated by each college
& their artist with Aspex)
|
Monday 11 February 2013
|
Each College provides Aspex with Appendix 1 – Final list of 20 artworks
for exhibition
|
Friday 1 March 2013
|
Last day for colleges to deliver artworks to Aspex
|
4-6 March 2013
|
Curation & Installation at Aspex (Visit 5) (Specific times to be agreed by artists, FE students and Aspex on one
of these days)
|
Friday 8 March 2013
6-8pm
|
Preview Event of New Creatives – Celebration attended by parents, friends,
general public and VIPs invited
|
9 March – 14 April 2013
|
Exhibition – opening hours 11am – 4pm daily (5 weeks)
|
Friday 19 April 2013
|
Colleges collect work from Aspex
|
Looking Beyond Your Degree
Paul Barnes came in to speak to us about CV writing and
what we need to do in order to secure a job when we’re finished with the
course.
He started off by explaining that there is a small number
of large companies that look for photographers, but there are a lot of smaller
companies (SME small to medium sized enterprise) who are looking for
photographers. Research shows that only 25% of graduates sought SME
opportunities (5/1/12)
First Steps
·
Lateral thinking and back up plans
o
Very useful as it may take time to find a job
·
Work experience
o
Really important to gain experience of a
commercial industry
·
Speculative applications
o
Gamble application
o
Opportunities that aren’t advertised
o
Could lead to work experience
·
Likely need for a good CV
Need for CV
·
A vital sales pitch – not narrating a story
·
Relevant to role and organization
·
Stand out and show added value
o
What can you bring to the organization
·
Appropriate evidence, use positive language
CV Writing in 2 Minutes
·
Concise
o
Generally 2 sides max a4
·
Clear sections
·
Introductory profile, objective, personal
statement
·
Choose style
o
Chronological, skill based, academic
·
Reverse chronological order
·
Bullet points
o
Brief ‘bites’ of information
·
Good font and letter size
·
Positive vocabulary, excellent presentation
·
Must provide evidence of skills and achievements
·
Needs to be adapted
·
Outside interests
o
Significant or especially relevant ones only
·
Referees – references available on request
·
Creative styles are popular and can work well
but images must add something
Different Styles
·
Chronological
o
Events are the main part of the sales pitch
·
Skill based
o
Relevant skill types are the key here
·
Creative styles
o
Using images of work to convey message
·
Academic styles
o
Specific details of specialised learning and
research
Creative Styles of CV
·
Very common
·
Watermark of border can be effective
·
Landscape shaped CVs harder to format correctly
but can work well
·
Care needed for content
o
Need for clarity
o
Relevance
o
Originality
o
Avoid overcrowding
o
Remember copyright
·
Lots of freedom
·
More suited to many roles and employers
What skills and qualities do recruiters require?
·
Technical skills
·
Design skills
·
Ability to work in teams
·
Customer service skills
·
Flexibility
·
Capacity for attention to detail
·
Able to manage own workload
·
Strong communication
·
Problem solving
Key tasks in CV writing
·
Linking skills, achievements qualifications and
so on
·
Possible use for records of achievement of
portfolio
Speculative application
·
Taking a gamble
·
Applying for a job might lead to work experience
·
Need a good CV and covering letter
·
Might need samples of work
Other considerations
·
Personal website
·
E-portfolio
Agency
·
Aswift.com
·
Opmjobs.com
·
Associatesgroup.co.uk
·
Profilescreative.com
·
Agencycentral.co.uk
·
Rec.uk.com
Networking
·
Sedf.org.uk
·
Applecart.org
·
Cib.as
·
Cafeculture.org.uk
·
Everycreative.com
·
Creativeboom.co.uk
·
Mediavolt.co.uk
·
Linkedin.com
·
Facebook.com
Showcasing
·
Allourbestwork.com
·
Artsthread.com
·
Behance.net
Where are the opportunities
·
Prospects.ac.uk
·
Ccskills.org.uk
·
Local and national press
·
Bipp.com
·
Rps.org
·
Bapla.org.uk
·
Region based resources
o
Graduatejobsouth.co.uk
Postgraduate
·
Art therapy
·
Medical illustration
·
Journalism
·
Law
·
Human resources
·
Teaching
·
Findamasters.com
Self employment
·
Seek early accurate advice
·
Lot of preparation
·
Networking is important
Alumni Session
On the 18th of October we had an Alumni session
where some past students came in to talk to us about the things they’ve been up
to since finishing the course.
Tim Bowditch
·
Independent photographer, London
·
Graduated in 2008
Tim graduated in 2008 and went
home for one month, but felt like you couldn’t go back to Guernsey so he soon
moved to London. The majority of his work at University was documentary,
however when he finished he found it really hard to decide what he wanted to
do. He went on to do an internship in a commercial gallery and at a
contemporary gallery and became an assist curator. However, he was still quite
confused and started to assist a few editorial photographers.
He ended up being part of a
project called Roof Unit. Him, Chris Littlewood and Tony Smith set up a pool of
7 or 8 photographers looking for an assistant. He explained this was the best
decision he’s ever made. Through this project he gained lots of contacts and
had to juggle a lot of things at the same time.
He went on to talk a little
bit about his website. He doesn’t have any of his commercial work on there, or
any Uni work (natural progression). He get the majority of his work through
other photographers or clients passing his name on to other clients. He also
talked about his experience assisting photographers, and explained it was
really good experience anyone should have. Now he doesn’t do any assisting
anymore, unless he could travel for it.
Vicky Chiswell
·
Aspex Gallery Participation programme manager
·
Graduated in 2010
Aspex is a contemporary art
gallery which features a lot of new and upcoming artists. She works with
toddlers to adults and helps get people more involved with art. She gets young
kids to interact with artists and feel comfortable about and around art.
While still studying, Vicky
applied to volunteer at Aspex gallery in order to get some experience. She was
asked to go along as a photographer for educational trips. After working there
for a while, asked for a part time job.
She also managed to get an
internship full time and paid – but she was already working at aspex part time.
She accepted the internship and explained she had to do a lot of juggling. It
was really valuable experience.
She is still working at Aspex
now, and is busy with all sorts of events – including New Creatives.
Chris Butler
·
Director of The Photography Lounge in Chichester
·
Graduated in 2004
Chris did a prediploma where
he had to do a different type of art every couple of weeks (sculpture, graphics
etc) but in the end he decided he wanted to go into photography. He explained
that less than half of his year is still in photography. It took Chris about
one year to get a full time paid photography job after he graduated. He applied
to all types of photography jobs and eventually got the chance to photograph a
wedding. He had never done a wedding before so had no idea what he was doing.
He ended up doing a good job and managed to get a portrait photography job. At
Uni he did a lot of landscape work, so originally he wasn’t interested in
portraiture and he explained that he didn’t pay any attention to his classes so
he had to relearn everything about portraiture.
The listed a few of the
positives and negatives about working for someone and later in his talk he
explained that he set up his own portraiture business and listed the positives
and negatives of that. He got the portraiture job in order to learn about the
world of photography and it was much needed experience. But once he was done,
he set up his own independent business. He searched for assistant, and
explained to us how important it is to have a professional email address and
studio name in order to be taken seriously.
At the moment he doesn’t take
as many photos as he used to, but is now more concerned with marketing. He
explained a bit about branding and how important it is to stick to the same
brand so people can recognize you.
Georgie Gillard
·
Staff photographer for the Daily Mail
·
Graduated in 2011
Georgie was my favourite
speaker of the day, she was so enthusiastic about her job and the things she’s
been up to that it was really inspirational. She worked as a sport photographer
for the Daily Mail and worked with the 541 Olympic sports athletes. She helped
to come up with a plan of how to photographer everyone as part of a group shot.
The athletes were put into smaller groups and photographed and then small
thumbnails were put on a board allocating where they would be in the group
shot.
She also shot all the medal
winners of the Olympics and Paralympics a well as the opening ceremony of the
Paralympics and managed to get the front page and the second, third and fifth
page of the Daily Mail.
Since being at uni, she knew
she wanted to be a press photographer and got a interview and a week of work
experience at the Times. In her third year she expanded her portfolio to get on
the press circuit and did work experience with various photographers.
Georgie submitted her images
for her final year project to source magazine competition and won. This opened
many doors for her and because of that she managed to get an interview at the
Daily Mail.
Nick Adams
·
Independent photographer, London
·
Graduated in 2009
Nick had a different journey
as he wasn’t initially interested in photography. He studied languages and then
ended up changing his course. He was able to start in the second year of
photography so had to teach himself how to use the darkroom and film.
He managed to win an award for
his final year images, but unfortunately he was trespassing so didn’t receive
the reward in the end.
When he left Uni he didn’t have
a clue what he wanted to do, but he knew he wanted to be a photographer. He literally
did every single job that he could and got a lot of experience from that. He worked
with esquire magazine and photographed for Kurt Geiger. Because he had such a popular
name on his CV it made it easier for him to approach anyone. He ended up becoming
really interested in interior photography and started working for architects.
He explained that the most important
part of being a photographer is being able to network, having a website, facebook,
twitter and a blog made it easy for people to find him on a search engine. Now,
most of the work he gets is from clients approaching him, rather than him approaching
clients.
New Creatives
This is my second post regarding New Creatives. On Monday the 22nd of October I went to Aspex Gallery in Portsmouth and got the chance to meet the other buddies, the three artists and some members of the participating colleges. There was a brief talk by all of the artists and the rest of the time we were there we could just chat with the artists and buddies and really get to know what New Creatives is all about.
The three buddies are:
Myself
Lauren Scott-Smith (BA (Hons) Illustrator)
Matthew Jackson (MSc Digital Media)
If you click on their names, you will be linked to their blogs.
The three artists are:
Eileen White (craft based visual artist)
Oliver Merkin (murals and large scale artworks)
Chris Jenkins (crafts man and fine artist)
If you click on their names, it will link you to their personal websites.
The participating colleges are:
Highbury
St Vincent
Portsmouth
Havant
Fareham
Chichester
South Downs
After meeting everyone we got the chance to choose who we wanted to work with, and I'll be working with Oliver Merkin! We will be working with Portsmouth college and Havant college. I've just contacted Oliver to see whether he was able to set up any dates on Monday and we will be discussing who we are visiting when. I'm really excited to get started.
I'll continue to blog about the whole experience, and try to include photos as often as possible. For more information you can visit the other students' blogs and the new creatives website: http://newcreatives.org.uk/
The three buddies are:
Myself
Lauren Scott-Smith (BA (Hons) Illustrator)
Matthew Jackson (MSc Digital Media)
If you click on their names, you will be linked to their blogs.
The three artists are:
Eileen White (craft based visual artist)
Oliver Merkin (murals and large scale artworks)
Chris Jenkins (crafts man and fine artist)
If you click on their names, it will link you to their personal websites.
The participating colleges are:
Highbury
St Vincent
Portsmouth
Havant
Fareham
Chichester
South Downs
After meeting everyone we got the chance to choose who we wanted to work with, and I'll be working with Oliver Merkin! We will be working with Portsmouth college and Havant college. I've just contacted Oliver to see whether he was able to set up any dates on Monday and we will be discussing who we are visiting when. I'm really excited to get started.
I'll continue to blog about the whole experience, and try to include photos as often as possible. For more information you can visit the other students' blogs and the new creatives website: http://newcreatives.org.uk/
Thursday, October 25, 2012
Digital vs Film
This snapshot is a quick comparison between the digital file
and the large format file. The large format is on the left and the digital is
on the right. I like the colour of the heathland in the digital file, but the
sky is much better in the large format file. Every photo has a blue sky (and
the woodland has sun, so obviously the same sky), whereas the digital file has
a different sky in every photo. For the large format, I used a clearing photo
with a lot of grass in it, so that in matches better with the other three
photos.
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